Short Book Forthcoming

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[UPDATE: books are now available for sale.]

I just received the good news from series editor Marvin Bell that a collection of my poems will appear in the Lost Horse Press New Poets | Short Books Series, Volume V. Like the previous four volumes, this book will again bring together what are essentially three chapbooks (also called “pamphlets” in the UK) by three up-and-coming poets, all under one cover. The format of this series was inspired by Scribner’s “Poets of Today” series, edited by John Hall Wheelock, which debuted poets such as James Dickey. According to Bell:

The series will introduce poetry that presses the boundaries of language — the sociopolitical, the surreal, the nutty, the extreme, good free verse, and good formalist verse. We prefer lively nonsense to earnest meaninglessness. We do not care for theory-based experiments. Manuscripts will be made up of poems someone can hate and someone can love. Middle-of-the-road doesn’t interest. Anyone who reads the work, whether they love or hate it, should immediately say to herself, ‘Well, this is different.’

I am thrilled to be part of this series, which has already brought so many gritty, gutsy, sharp-as-tacks new American poets to light. The book is scheduled for publication in February 2011.

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In Situ: Limited Edition Book Arts Chapbook of Poems

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In SituThis afternoon felt like Christmas. Except that Santa pulled up to our place in a black Thunderbird, on time as usual for her piano lesson with my wife. And instead of a red velvet sack, she came in cradling a small cardboard box. Inside were the fruits of many months of painstaking labor: sixty eight limited-edition letterpress chapbooks of my poems, each hand-bound, numbered, and signed.

The process began in September of last year, when Mary Zawacki, an accomplished graphic designer and talented amateur pianist, asked if she could use a few short poems to practice hand-set typography in a letterpress class she was taking with Gerald Lange at Otis College of Art and Design.

Hand-Lettered PlateThe thought of someone spending so much time with my poems in setting them — aligning each letter carefully, even as I had carefully chosen each word — felt like an honor. The process, and the result, were remarkable. However, because some of the tiny metal letters had been used more often in other print runs than their companions on the plates containing my poems, some letters were minutely more worn than others, producing a slightly uneven tone when inked and pressed to paper. For Mary, this just wouldn’t do.

Film, Plate, and PressBut this “setback” only opened new vistas. Mary used a digital version of the same font1, along with her own beautiful hand-drawn line illustrations inspired by each poem, to lay out the pages digitally. Then these designs were developed on photo film. The film was laid against a metal plate coated with a special polymer, and exposed to light. The light-exposed polymer hardened, and the rest simply washed away with water (a far less toxic option than, say, the metal-etching acids William Blake was accustomed to using). The resulting plates, containing both my poems and their well-matched illustrations, became the pages and cover of this book arts book.

The chapbook contains three poems, including the poem that was a finalist in last year’s James Hearst Poetry Prize. The settings can only be described as perfect: from the illustrations, which add to the text, to the layout, the paper, and the three-hole string hand-binding. I am deeply grateful for this act of creative generosity, and for the opportunity to collaborate with such a wonderful artist.

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