Numerology of Grief (The Sixth Year)

“In the depth of winter, I finally learned that within me lay an invincible summer.”

-Albert Camus

Six is my favourite number. It is the number of years between my younger sister and me. It looks like the lovechild of zero and “C”. The only single digit that is divisible by two as well as three, it seems to encompass both even and odd with a swirling, round-bottomed equanimity.

This tadpole, half of a yin-yang symbol, is also the number for idealists. Six years ago today, I counted myself among them when our son was born. I was determined to be the ideal father to an ideal son. Three days, eight hours and forty minutes later, when the doctor pronounced him dead, that idealism shattered, not by twos and threes, but into innumerable pieces.

His death certificate reflects that he was never issued a US Social Security number. The boxes for “years of education” and “years in country” each contain a single zero. Other boxes: “white”, “male”, “never married” all increment statistical records somewhere. His occupation was listed as “infant”. I wonder how often that column gets a tick.

Recently, strolling through a nearby Victorian cemetery, I was struck by how many headstones were laid for infants and children. In the developed world, in modern times, losing a child is unexpected. I was told that what happened to my wife and me only affects one-in-one-thousand like us these days.

We are now living approximately 5,500 miles away from the Santa Barbara harbor where we scattered his ashes, and from the community that so lovingly supported us through the long, dark aftermath. (The only constant–change.) I miss them terribly.

In the heart of a London winter, in the middle of my life, I am facing down problems for which the answers are not numbers, but a way of life. Throughout the upheaval of the past six years, a few things have remained invincible in me. Among them: a need to make art, and a desire to give back.

Once again, I take this day to be grateful for my son’s short life, and the ways in which it has taught me about how to more courageously live my own.

“Same-Day Return” (Film-Poem)

This evening, we collaborated on another film-poem. We live near the end of the Northern Line, and our evenings are pleasantly haunted by the sound of the train.

Continue Reading ““Same-Day Return” (Film-Poem)” »

Long Poem Magazine Launch Reading

Readers will know I don’t generally consider myself a long poem poet. At the T.S. Eliot Shortlist Reading last weekend, Sean O’Brien remarked that one of the most dreaded phrases in a poetry reading is (said darkly), “and now for something longer.” Recalling this, I descended the stairs of the brutalist Barbican Theater into the music library, recalling the Vogon dungeon from The Hitchhiker’s Guide to the Galaxy in which the protagonist is forced to listen to the “third worst poetry in the universe” as torture.

Fortunately, owing to great variety, imagination, and craft, the evening was anything but a Vogon experience. I was pleased to read my own poem, “In Pieces”, after The Lewis Chessmen, alongside nearly a dozen others. Continue Reading “Long Poem Magazine Launch Reading” »

“Upon Arrival” (A Film-Poem)

From the window of my office in Holborn, I watch the changing light of the London skyline with fascination.

Yesterday, with the help of an iPhone app, I propped my phone by the window for several hours and set it to take pictures six times per minute. I composited these images into video at 24 frames per second using Quicktime, then looped the clip back-and-forth, adjusted the colour, and added a panning and zooming effect using iMovie.

Valerie and I collaborated this morning on some accompanying words and music, combining it all together into another film-poem.

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“Piece Work” (A Film-Poem)

This evening, Valerie and I collaborated on our first film-poem. She wrote an excellent summary of the process on her own website. Here is the video and the poem:

Continue Reading ““Piece Work” (A Film-Poem)” »

2011 Roundup Year-in-Review

“How can I tell what I think ’till I see what I say?”

-E.M. Forster
Image: Wikipedia

Once again, I have taken a look over the past year, and selected one post from each month that stood out in some way.

January: The Fifth Year

Today, I said goodbye two our two-year-old Australian nephew, not sure when we will see him again. As we near the sixth anniversary of our son’s birth and death, I realise how far we have come, not only geographically, but psychologically as well. Passing the fifth year was a milestone for us.

February: Human Shade

In February, my debut short collection Human Shade was published by Lost Horse Press in America. It was extremely heartening to see so many orders arrive in such a short time. I brought a few copies with me to England.

March: London Calling

In March, we made the decision to move to London. Having lived my entire life in California, I had no idea just what a leap this would be for me.

April: Adieu, America

In April, I said goodbye to America, but not to being an American. In fact, living here, I have never felt so American as I do now. My father also bid me farewell in a very special way.

May: Through the Looking Glass

In May, we arrived with just our suitcases. We had one week to find a place to live before the start of my new job. After the whirlwind subsided, I began to feel like Alice, down the rabbit hole in a world that only superficially resembled the one I had known.

June: Notes on Contemporary British Poetry

In June, I began to take advantage of my circumstances by way of comparative Anglo-American poetics. So began an effort to overcome what I have deemed “poetic culture shock“–and come to understand the subtle differences between British and American poetry.

July: Discovering an Artistic Ancestor

In July, I discovered a remarkable book by another poet named Peake, which had a profound effect on me.

August: The Nature of Peace

In August, the London riots exploded not far from our home while we were on holiday in Wales with my parents. The contrast prompted this meditation.

September: An American Werewolf in London

In September, I began to put my finger on the sense of otherness that had been haunting me, and let myself howl a bit at the moon.

October: “On Being Straight (A Thought Experiment)

I wrote this piece in October, and within a short span of time my “thought experiment” turning the tables on identity politics had received over 95,000 views on StumbleUpon, and been republished in The Good Men Project.

November: “The Invisible Father

A colleague’s casual remark set off this mini-essay for The Good Men Project about the being a father without a child.

December: “British Matches

In December, Aperçus Quarterly published this short poem, inspired by the warning label on a pack of matches. Along with comparative Anglo-American poetics, I seem to be studying semiotic estrangement–the effect of “everyday” signs and symbols on a cultural outsider.

It has been a remarkable year. Wishing peace to you and yours in 2012!


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