I received my contributor’s copy of what I suspect will be a very important book — for me, surely — and perhaps for others. How to be a Poet strikes me as not only “a twenty-first century guide to writing well”, but also a guide to living well as a writer.
I also quite like the alternative title proposed in the introduction: “A Poem-Writer’s Guide to the Galaxy.” After all, we contain multitudes.
It features the wisdom of two of my favourite poetry people: Jo Bell and Jane Commane, interspersed with excellent guest contributions by Mona Arshi, Jonathan Davidson, Clive Birnie, and many other well-known names in UK poetry. I thought I’d spend a moment or two thumbing through it on the couch when it arrived. I couldn’t put it down.
My own essay represents a manifesto of sorts — again, not about how to write, but how to be as a writer in this mad, mad world. It is called “Making Peace with Poetry”.
If you’re writing poems, or have secretly wanted to, know someone who writes, or are just curious to lift the curtain on the writing life — I can’t recommend this book highly enough.
The book is available from Nine Arches Press, with options for international shipping.
Robert joins fellow Nine Arches Press poets Isobel Dixon, Roy McFarlane and Abegail Morley for an afternoon of readings and conversations. More details forthcoming.
Parts I to III of my long poem sequence “Nomansland Common” appear in the summer issue of Under the Radar magazine.
It is in good company alongside two pungent and haunting poems by Paul Stephenson, a trans-Atlantic observational poem by Jill Abram, several poems about identity by Josephine Corocan, and many other delights, including insightful reviews and prose.
You can order a copy of Issue 16, or even subscribe for the year, at the Nine Arches Press website.
Nine Arches Press in collaboration with Leeds Ebooks has done an excellent job bringing The Knowledge into an all-digital format. If you got a Kindle, iPad or tablet for Christmas, or have been holding off reading The Knowledge due to international shipping costs, now is your chance to get it for a song.
I have a long list of e-book pet peeves, but this version has been expertly done. The table of contents is hyperlinked, font sizes can be adjusted to taste, and — best of all — it wraps long lines of poetry correctly with hanging indents. Apart from the formatting, you might also enjoy the contents.
Let it snow ones and zeroes!
Nine Arches Press and Crystal Clear Creators present this featured reading of Robert Peake, Rosie Miles, Sarah James, and Richard Byrt alongside an open mic.