Paul Stephenson just posted an in-depth interview with me on his website.
We talk about The Knowledge (including at least one secret about the book most people probably don’t know), the current political climate, the place I grew up, and the teachers, places, and poets that have made a great impression on me.
I also mention the new book, due out July 2018.
You can read the full interview on Paul’s website.
Parts I to III of my long poem sequence “Nomansland Common” appear in the summer issue of Under the Radar magazine.
It is in good company alongside two pungent and haunting poems by Paul Stephenson, a trans-Atlantic observational poem by Jill Abram, several poems about identity by Josephine Corocan, and many other delights, including insightful reviews and prose.
You can order a copy of Issue 16, or even subscribe for the year, at the Nine Arches Press website.
Valerie and I also made part IV of “Nomansland Common” into a film-poem, which you can read and watch online here.
Black hair. Red claws. That’s all
you need to know. She left
the cubs a long time ago,
and now all she wants is a man
to drink gin and play snooker.
She keeps a gun in her purse
and two ex lovers in jail,
signs her letters with a kiss
and a dab of cheap perfume.
She knows how to use a letter opener,
walk upright like a lady,
forage berries in the forest,
bandage a gunshot wound,
claw her way out of the trunk
of a speeding car, and roll away.
She’s on the hunt when hunted,
growls obscenities when hit
by a tranquillizer dart.
In this city full of garbage,
she knows you by your smell.
Behind the Poem
Paul Stephenson and I have been sending each other postcards with the implicit dare to try to write a poem about whatever is depicted — the stranger, the better. When I received this postcard advertising some kind of noir West End stage production called “The Bear”, it set my head spinning.
I wrote a very different kind of poem about a bear several years ago, a lament that became part of my first short collection Human Shade. But the more I stared at this “dame” with a pistol in her hands, the more she and the bloody-clawed bear behind her seemed to fuse in my mind.
Valerie and I found some old excess footage, now in the public domain, from a Los Angeles film studio in the 1950s, and we put this together with road, wind, and bear noises as accompaniment. So this new film-poem was born.
As the year comes to a close, I find myself in a reflective mood. Having compiled a list of the more than 350 poets I have mentioned on my website since I began writing about poetry in 2003, I was curious to discover which poets I have mentioned most often in the last ten years.
What follows is that list of poets — most alive, some dead; most writing in English, some not; many I have met, some I won’t and never will. Click on the name or image for a brief summary of who each one is and and what they mean to me, and to read what I have written about them over the years.
“…fresh sweat and sweet / Mortality, he found them on the North”
-Thom Gunn, “At the Back of the North Wind”
Paul Stephenson reviewed The Silence Teacher, along with three other pamphlets from Poetry Salzburg, in the current issue of The North. He begins, “If all poetry is essentially about love and loss then there is little need to read beyond Robert Peake’s beautiful and heart-breaking pamphlet, The Silence Teacher”.
He quotes from the book in summary of its themes, and picks up on the “interplay between love and hate” sometimes manifesting in “quiet violence” at various points in the collection. Indeed, sometimes sadness and anger, love and hate, have much in common. He concludes, “These highly-crafted, long-considered poems have so much emotional resonance, from a father who will not teach his son hello, whose son ‘came in waving goodbye'”.
Paul also gives a friendly mention to the Transatlantic Poetry on Air project, and treats the other pamphlets in this series with equally brisk and enticing insights. I look forward to reading the rest of The North, and reading and re-reading my fellow Salzburgian pamphleteers.
Single issues and subscriptions to The North are available from The Poetry Business.
As I mentioned earlier, I have been organising poetry readings for the poets included in the British poetry special feature I edited for Silk Road Review 10. The twist is that both of these readings will be conducted virtually and available globally, using Google+ Hangouts on Air. The dusts has settled, the dates (and stars) have finally aligned, and I am happy to announce two excellent lineups for these events. Save the dates!
Sunday, October 13th at 8PM BST / 3PM EDT / noon PDT
Featuring Patience Agbabi, Katy Evans-Bush, Isabel Galleymore, Chris McCabe, Andrew Philip, Paul Stephenson, and Claire Trévien
Saturday, October 19th at 8PM BST / 3PM EDT / noon PDT
Featuring Liz Berry, Fiona Benson, Markie Burnhope, Abi Curtis, Helen Ivory, Ira Lightman, Rob A. Mackenzie, and Esther Morgan
Click here for the latest news and updates from the Transatlantic Poetry community