I had a great time facilitating the “Tactics for Sneaky Poets” workshop at Theater 150 this morning. The workshop is a flurry of creative exercises designed to demonstrate various “tactics” that poets can use to be “sneaky” with themselves in the creative process–to outwit the negative critic and analytical mind, and keep on keeping on in a free, creative space. While none of these ideas are are “new” in any universal sense, they are all tried-and-true techniques that have helped me along in my own creative process.
I have also been remiss in my role as a “sideshow barker” for the excellent Big Tent Poetry project. So here is a contribution to that ongoing poetic circus–a list of sneaky ways to keep the plates of poetry spinning.
Get inspired. Prime the pump before writing by reading poems you love by poets you love. Transcribe them. Memorize them. Carry them inside you.
Trigger yourself. Smells, sights, sounds, textures. Let your eyes and your mind wander. Memories, fantasies, reflections. Start anywhere. Just go.
Keep going. Try pushing past where you think the ending occurs. Write a “Part II.”
Use constraints. Use word groups, poetic forms, made-up assignments from friends. Constraints spark creative freedom.
Read and listen. Read your own work aloud, get others to read it back to you. Listen to the music. Tune it up.
Focus on language and lines. Read the poem bottom-up, focus on each line. Does it stand alone on its merits?
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