The Penguin Book of Contemporary British Poetry, edited by Blake Morrison and Andrew Motion, has been my field guide to better-known British poets, and a useful overview for me. Having mostly studied British poets dating from before the 18th century, and American poets since that time, I have been reading this book as eagerly as I have been reading the London A-Z map book (which is not faint praise; I am enthralled with maps of London).
For each poet, I have been jotting marginalia on my tube journey to work. I include these notes here, in a similar fashion to the notes I took on Modern American poets during my MFA degree. Unlike those notes, however, these are taken on a short sampling of work, as opposed to a whole book. I therefore intend them as starting points, not summaries.
In my notes I have also included broad designations of geographic origin, since to my outside ear a poet from Leeds and a poet from Northumberland have an auditory relationship to language more in common with each other than they do to a poet from Oxford (hence my coarse-grained designation “Northern England.”) I realize I may be missing out on subtle distinctions in language and even politics. But for now, I am concerned with puzzling out in general how these poems would sound read aloud by the authors themselves, and taking a first pass this broadly has been helpful.
Compiling in this way, I am particularly struck by the complete absence of Welsh and significant lack of Scottish poets from this volume, and the controversial inclusion of so many poets from Northern Ireland. I would be interested to hear who else you think should have made it into this book.
Here are my notes: