Articles in the Category of Fatherhood

Numerology of Grief (The Sixth Year)

“In the depth of winter, I finally learned that within me lay an invincible summer.”

-Albert Camus

Six is my favourite number. It is the number of years between my younger sister and me. It looks like the lovechild of zero and “C”. The only single digit that is divisible by two as well as three, it seems to encompass both even and odd with a swirling, round-bottomed equanimity.

This tadpole, half of a yin-yang symbol, is also the number for idealists. Six years ago today, I counted myself among them when our son was born. I was determined to be the ideal father to an ideal son. Three days, eight hours and forty minutes later, when the doctor pronounced him dead, that idealism shattered, not by twos and threes, but into innumerable pieces.
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The Invisible Father

I am pleased to have the following piece appear in The Good Men Project online:

In response to the recent news that my wife’s health condition had worsened, a coworker kindly offered to babysit. “You must have mistaken me for someone else in the office,” I replied, “We don’t have kids.” Being a considerate person, I expected her to respond to my email as others had before–with apologies, saying she meant no offense. But the next part of her message took me by surprise. She said something to the effect that I seemed grounded and settled, and that this is a quality she often admires in dads.

As a child, I always thought invisibility was the best possible super power. To be able to see and know what is going on, without being seen yourself, was something I craved. So much so that I still am taken aback when others share insights about me that they have gained from observation. But the idea that I was behaving in a visibly father-like way struck me as both poignant and profound.

The death of our infant son, and our subsequent inability to have another child, cast me into not only grief, but a longing to understand what my life is about.

Continue reading the full article online at The Good Men Project

Interview with Mark Burnhope, Part II

Mark Burnhope studied at London School of Theology before completing an MA in Creative Writing at Brunel University. His debut short collection, The Snowboy, was recently published by Salt. I had the pleasure of interviewing Mark about poetry, disability, theology, and much more. Click here to read Part I of this interview.

The two poets mentioned in this collection–Wallace Stevens and Zbignew Herbert–are both poets of rich imagination and lyrical intensity. The former generally relates to more abstract thoughts and feelings, whereas the latter treats difficult personal topics such as the Nazi occupation of Poland. What do you see as the role of personally difficult subject matter in your own work? How does this inhibit or fuel your creative power?

That’s a fantastic observation, that thoughts and feelings / topics and issues paradox. I am interested in what happens when thoughts and feelings, beliefs and doctrines (which are abstract and elusive, however much we argue about it) bump into authentic, concrete experience; how faith or religion helps and hinders social change, and how the desire for change sometimes necessitate a revision of personal belief systems.

To take one hot potato for example, homosexuality and homophobia: there was a point when I decided, “Stuff all this in-fighting, I’m tired of being part of a religion which fails to recognise and offer love wherever it finds it. God doesn’t exclude, he welcomes.” I’ve always identified with the ways the LGBT community has been maligned in the Church, because a lot of disabled people experience the same thing; for me, it finds its crux in talk of ‘healing the sick’. A lot of people want to heal us, believing that God made us this way by accident, or that we’re the handiwork of Satan. Even in completely secular contexts, there are feelings of pity and the desire to see us fit a more able-bodied norm in order to be accepted. Inclusiveness and equality are essential values to my faith, and that finds its way into my poems.
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Interview with Mark Burnhope, Part I

Mark Burnhope studied at London School of Theology before completing an MA in Creative Writing at Brunel University. His debut short collection, The Snowboy, was recently published by Salt. I had the pleasure of interviewing Mark about poetry, disability, theology, and much more.

How does theology inform your poetry, and vice-versa (if at all)?

It definitely does. But rather than speaking about theological subjects in abstract, theoretical terms, I try to ground them in my experience – as a disabled person in an admittedly broken religion, or more metaphorically, in imagined and fabricated settings where splinters of my life might be buried in the words, somewhere. One thing I’m interested in is how much biblical language doesn’t sit right in a contemporary disabled context: words like ‘sick’, and the well-meaning but ignorant obsession with physical healing. It means well, but it’s totally antithetical to how disabled people tend to see ourselves, as differently but definitely fully formed. (Isn’t everyone different? What is ‘normal’ anyway?)
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Father-Son Conversation (Poem Online)

A dear friend in America recently and unexpectedly lost his father. A new friend here in England is tending to his father’s health in what may be the twilight of his life. They have both been on my mind today, along with so many for whom Father’s Day is a poignant occasion. I am now nearly six thousand miles away from my own father, and from the birth- and death-place of my son.

Salamander Cove has put together a fine collection of poems related to fatherhood, and I am pleased to have my poem “Father-Son Conversation” appear in this way for the first time online. The poem opens my debut collection Human Shade, part of the Lost Horse Press New Poets Series. It appears last in this online collection. It is the only poem from a father to a child in this series (the others being addressed to fathers by children), and the editor specifically wanted to end the collection this way. I am honored for my work to have been part of this complex, subtle, and fitting tribute to one of the most important jobs a man can do.

Why I Write

Unexpected things happen when you release a book of poems into the world. The opening poem of the collection, “Father-Son Conversation” ends with the line: “I will go on speaking to you as long as I live.” Many people have written to me to say that they paused after reading this final line, sometimes for several days, before continuing on to the other poems in this collection. To me, that was both an unexpected and understandable response.

I have my own relationship with each of these poems. The first poem in this collection tells a lot about the purpose I have found in writing poetry. That is why I put it first. The Scottish poet Andrew Philip, who also lost his first-born son, says near the end of his poem “Lullaby,” “this is the man you fathered.” Indeed, my experience with the birth and death of our son James was an initiation into fatherhood–that I was “fathered” by him, just as one might be “knighted” by a sovereign. I came away with a charge.

But how to fulfill the charge of fatherhood without a child of one’s own? Continue Reading “Why I Write” »