I found myself in a meeting today with my boss and several other tech-savvy colleagues, discussing the educational and productivity-enhancing implications of various new technologies. When we got around to the iPad, I mentioned its potential to bring some sizzle to literature–possibly in ways the Kindle cannot. I whipped out my iPod Touch, fired up the new Poem Flow for iPhone application that just got released today, and we all sat around for a few minutes watching “The Second Coming” by W.B. Yeats elegantly fade, in measured lines, across my tiny screen. The implications for the larger iPad seemed obvious.
The implications of this technology for poetry, however, remain to be seen. I was contacted at the start of this month by Laura Often, Public Relations for Text Flows, the company that partnered with The Academy of American Poets to bring Poem Flow to life. She was interested in having me blog about their project. I’m not sure if she found me as a former technology blogger or a current poetry blogger, but nonetheless I took a look. Unfortunately, at that time, I could only see a brief Flash-based demonstration on their web site.
Holding my iPod Touch in my hands while it runs this application is a different experience. The font is lovely. The transitions between lines (and parts of lines) are thoughtful and well-executed. In fact, the deliberate slow-down of the reading experience seems to be one of the few actual enhancements I’ve seen technology make to literature–perhaps the only enhancement in this regard, since mostly when it comes to reading, technology encourages us to speed up. Continue Reading “Poem Flow for iPhone” »
I spent the day redesigning my website. What may appear to be just a simple visual touch-up was actually a major overhaul. I ported my site from Serendipity–which I began using when I first transitioned to a blog format in 2006–to the more popular WordPress platform. The template is my own custom design built on sandbox.
I have had a personal web presence for over ten years now, and interestingly enough, when I look back on previous sites, it seems I have upgraded the site look-and-feel about every two years.
For your amusement, here are some screen shots from the past (click the thumbnail or year to see a larger image):
Continue Reading “Website Redesigned” »
KPCC aired a program on their “Cyberfrequencies” segment today about the relationship between poetry and new media–particularly, Twitter. Having read a previous post on this site about the inherent disconnect I sense between the always-on babble-stream of new media, and the deliberate relationship to language I crave in poetry, producer Jackson Musker asked me to weigh in. You can listen to an audio archive of the show on the KPCC website (6 minutes, 48 seconds.) You can also listen to audio of Tao Lin, Katie Peterson, and me reading poems on the Cyberfrequencies website.
In the radio show, I essentially came out as a naysayer about the idea that technology presents a golden age of opportunity for poetry itself. That is, while I have found tremendous value in being able to connect with fellow poets and poetry aficionados through the web, I see poetry itself as an antidote, in so many ways, to what this technology does to our attention span, our relationship to language, and our understanding of ourselves. Still, my views on technology and poetry, having spent most of my adult life immersed in both, are far more subtle than can be expressed in a few short audio clips.
It is a topic, in fact, that I would love to see given the treatment of, say, the half-hour BBC 4 radio program “The Atheist and The Bishop.” Fortunately, however, this brief segment does bring up some interesting points on all sides–and, thanks to new media, this dialog can now continue–in blog posts, comments, and tweets. So, what did you think of the show?
Normally, as the weeks roll by, I get up early to write, read in the evenings after work, and collect the occasional acceptance or rejection slip from the mailbox. By contrast, this week felt like the equivalent of some kind of poetry hyperdrive, including:
Phew! Time to get back to my day job, so I can get some rest.
I would not have been able to complete an MFA in writing poetry while holding down a job as a technology executive had I not been a longtime practitioner of the GTD® methodology. In a recently released podcast, David Allen, my boss and the inventor of GTD, asked me about how the GTD concept of the ubiquitous capture tool relates to poetic inspiration. (That conversation begins around 16:56.) My process has evolved considerably in the past few years, from capturing phrases and lines whenever they came through my head to “assemble” later into a poem, to establishing a regular practice of opening up to the muse. This shift sees me capturing fewer individual lines in the moment, and focusing more on getting my head clear of work and personal responsibilities–by using GTD–so that when I do sit down to write, I can slip through the keyhole unencumbered into that poetic space.
The practice of capturing inspiration in the moment is nothing new to artists and writers. After the Ojai Poetry Fest Fundraiser, I had a stimulating conversation with a fellow writer who also happens to be a journalist. As our chat got interesting, he whipped out a pad and paper, seemingly on reflex, and began to take notes. He was “off duty” in the sense that he wasn’t taking notes for a news story–but it got me thinking that if one is, indeed, a student of life, there is no “off duty.” And a good student takes good notes about subjects that fascinate. The difference GTD makes, of course, is that it presents a systematic approach for what to do with those notes–including tracking any resulting commitments to oneself or others, and executing appropriate action and regular review in order to make one’s dreams more than just a scribble on a notepad.
So, in case I haven’t said it lately, thank you, David, for bringing this methodology into my life, helping me to bring appropriate focus and attention to the many different worlds I inhabit. The gift of being more present in my life is truly precious.