Articles in the Category of Life

Numerology of Grief (The Sixth Year)

“In the depth of winter, I finally learned that within me lay an invincible summer.”

-Albert Camus

Six is my favourite number. It is the number of years between my younger sister and me. It looks like the lovechild of zero and “C”. The only single digit that is divisible by two as well as three, it seems to encompass both even and odd with a swirling, round-bottomed equanimity.

This tadpole, half of a yin-yang symbol, is also the number for idealists. Six years ago today, I counted myself among them when our son was born. I was determined to be the ideal father to an ideal son. Three days, eight hours and forty minutes later, when the doctor pronounced him dead, that idealism shattered, not by twos and threes, but into innumerable pieces.
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“Upon Arrival” (A Film-Poem)

From the window of my office in Holborn, I watch the changing light of the London skyline with fascination.

Yesterday, with the help of an iPhone app, I propped my phone by the window for several hours and set it to take pictures six times per minute. I composited these images into video at 24 frames per second using Quicktime, then looped the clip back-and-forth, adjusted the colour, and added a panning and zooming effect using iMovie.

Valerie and I collaborated this morning on some accompanying words and music, combining it all together into another film-poem.

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“Piece Work” (A Film-Poem)

This evening, Valerie and I collaborated on our first film-poem. She wrote an excellent summary of the process on her own website. Here is the video and the poem:

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2011 Roundup Year-in-Review

“How can I tell what I think ’till I see what I say?”

-E.M. Forster
Image: Wikipedia

Once again, I have taken a look over the past year, and selected one post from each month that stood out in some way.

January: The Fifth Year

Today, I said goodbye two our two-year-old Australian nephew, not sure when we will see him again. As we near the sixth anniversary of our son’s birth and death, I realise how far we have come, not only geographically, but psychologically as well. Passing the fifth year was a milestone for us.

February: Human Shade

In February, my debut short collection Human Shade was published by Lost Horse Press in America. It was extremely heartening to see so many orders arrive in such a short time. I brought a few copies with me to England.

March: London Calling

In March, we made the decision to move to London. Having lived my entire life in California, I had no idea just what a leap this would be for me.

April: Adieu, America

In April, I said goodbye to America, but not to being an American. In fact, living here, I have never felt so American as I do now. My father also bid me farewell in a very special way.

May: Through the Looking Glass

In May, we arrived with just our suitcases. We had one week to find a place to live before the start of my new job. After the whirlwind subsided, I began to feel like Alice, down the rabbit hole in a world that only superficially resembled the one I had known.

June: Notes on Contemporary British Poetry

In June, I began to take advantage of my circumstances by way of comparative Anglo-American poetics. So began an effort to overcome what I have deemed “poetic culture shock“–and come to understand the subtle differences between British and American poetry.

July: Discovering an Artistic Ancestor

In July, I discovered a remarkable book by another poet named Peake, which had a profound effect on me.

August: The Nature of Peace

In August, the London riots exploded not far from our home while we were on holiday in Wales with my parents. The contrast prompted this meditation.

September: An American Werewolf in London

In September, I began to put my finger on the sense of otherness that had been haunting me, and let myself howl a bit at the moon.

October: “On Being Straight (A Thought Experiment)

I wrote this piece in October, and within a short span of time my “thought experiment” turning the tables on identity politics had received over 95,000 views on StumbleUpon, and been republished in The Good Men Project.

November: “The Invisible Father

A colleague’s casual remark set off this mini-essay for The Good Men Project about the being a father without a child.

December: “British Matches

In December, Aperçus Quarterly published this short poem, inspired by the warning label on a pack of matches. Along with comparative Anglo-American poetics, I seem to be studying semiotic estrangement–the effect of “everyday” signs and symbols on a cultural outsider.

It has been a remarkable year. Wishing peace to you and yours in 2012!

The Invisible Father

I am pleased to have the following piece appear in The Good Men Project online:

In response to the recent news that my wife’s health condition had worsened, a coworker kindly offered to babysit. “You must have mistaken me for someone else in the office,” I replied, “We don’t have kids.” Being a considerate person, I expected her to respond to my email as others had before–with apologies, saying she meant no offense. But the next part of her message took me by surprise. She said something to the effect that I seemed grounded and settled, and that this is a quality she often admires in dads.

As a child, I always thought invisibility was the best possible super power. To be able to see and know what is going on, without being seen yourself, was something I craved. So much so that I still am taken aback when others share insights about me that they have gained from observation. But the idea that I was behaving in a visibly father-like way struck me as both poignant and profound.

The death of our infant son, and our subsequent inability to have another child, cast me into not only grief, but a longing to understand what my life is about.

Continue reading the full article online at The Good Men Project

Blessing the Bankers

On February 27, 2009, I got up before dawn, as I often did, to write a poem. However, this time I knew that later that same day I would be conveying the news of layoffs to nearly forty percent of my IT department–people I had worked alongside for years, had come to admire, and whose families I knew. It all stemmed from the financial crisis. And so my greatest temptation, in the face of finding myself in the middle of such a difficult moment, was to hate those who had precipitated this painful event.

But a vitriolic rant was not the poem that came out. Although I mentioned this experience in my commencement speech at my MFA graduation later that year, I did not read the poem. In the groundswell of Occupy movements, stretching from Wall Street to my own alma mater, now somehow seemed like an appropriate time to share this piece. It came out of my own private protest, years ago, in the hours before sunrise.
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