Poetry and the Information Age

Visual Cortex Diagram courtesy Wikipedia

Visual Cortex diagram courtesy Wikipedia

I have been questioning my preference for reading poetry on paper versus digital text for some time now, wondering what might underpin these instincts. It recently occurred to me that the difference in mental state I experience when reading a book versus surfing the web may actually have a basis in science. The advent of digital text has made a staggering amount of information available to us, and thereby altered forever how we learn. The further proliferation of digital text through the internet, and especially now with blogging and social networking, has made our ability to filter through words a survival skill. We must read faster than ever in the information age, skimming for nuggets of meaning or amusement.

Just how have we learned to read faster in the information age? Short of a research grant, an EEG machine, and plenty of literate volunteers, I have only a sample size of one, and my subjective methods of self-observation to guide me. But my theory is that we bias the visual processing centers of our brain, instead of the auditory centers, when surfing the web. This theory is supported by speed-reading courses that attempt to eliminate sub-vocalization and auditory processing to teach people to read faster. And yet, poetry has been an aural medium for centuries.

What are the implications for our poetics when readers stop listening to poetry in their head? Could this have a relationship to the advent of visual poetry, and language poetry, and to the false-starts of neo-formalism? Might the rise of free verse even go hand-in-hand with this explosion of the accessibility of written material? Surely, other factors, like the effects of the Second World War on postmodernism, play greatly into contemporary poetics. Yet this simple theory, with its potentially biological basis–that in an age glutted with words, we have stopped listening to their music–may have as much to say about contemporary poetry, and its decline from popular favor, as rock-n-roll has to say about the decline of classical music.

Furthermore, the volume of writing shows no signs of letting up. As Thomas Swick puts it in his essay, “Have Book, Will Travel”:

Tell a writer you write and depression sets in; tell a writer you read and gratitude blooms. Especially now, in the Blog Age, when it seems that more people want to write than to read (not realizing that you need to read in order to write anything that is worth reading, or that hasn’t already been written). But this is the inevitable result when a culture prizes self-expression over learning. It is the written equivalent of a room in which everyone is talking and nobody is listening, particularly to the dead.

Indeed, it seems to be an art that is increasingly fading in our cultural memory–the art of listening–to ourselves, each other, the music of our language, and the wisdom of the dead. Perhaps my relationship to books is not anachronistic, or fetishistic; perhaps it is not the smell of the binder’s glue, the feel of the page, the pleasures of a good font in dark ink, or anything else about the book itself that I love so much as that poems served up in this format literally change my head space, making me quiet, attentive, and able to hear–really hear–what the poem is saying to me.

6 Comments

  1. Posted December 20, 2009 at 6:18 am | Permalink

    What intelligent reasoning – or perhaps it’s just that i too use the self-observation method with the singleton research sample ;0) and get tired of friends telling me that’s not valid!

    Radio Three has been talking this week about the sensual aspects of physical as opposed to digital reading (strange phrasing but i expect you know what i mean), though i don’t suppose you listen to a lot of BBC radio in California. They’re discussing ebooks rather than computer screens, methinx, but still. We sit differently when at the computer and the act of reading is different.

    Certainly online reading is far more about taking in information and less about the experience of doing so, which is why the advice is to write more journalistically, short paragraphs and so on.
    - mand

  2. Posted December 20, 2009 at 9:30 am | Permalink

    Actually, we can get BBC Radio online. It’s daily bread for my English wife, and she often recaps highlights to me. Would love any clues like the program(me) name or air time. Sounds fascinating.

  3. Tony Derbyshire
    Posted December 22, 2009 at 6:31 am | Permalink

    You bring up an interesting point for me. I have picked up writing again, something I consider a gift I have been aware of since about second grade, after about a decade long break. I began to write and then felt a need to read as my writing seemed to lack depth. The reading helped the writing immeasurably, just as listening to someone else makes for a more substantive conversation. As a result, I am not just a better writer because I write. I am a better writer because I read.

    All of the information that we have access to has the potential to numb our consciousness, but I also believe that there comes a time when we hunger for the silence and the things that others observe to make us feel like we are not completely lost. Like an old and faithful friend, poetry and any art will be there for us. It is a reminder of our connection to our creator, our world and each other.

    So ends my pseudo intellectual pontification for the day…

    Good post, by the way.

  4. Posted December 24, 2009 at 10:51 am | Permalink

    Happy Holidays, Robert.

  5. Posted December 26, 2009 at 5:11 pm | Permalink

    Tony–I am a better writer because I read, too. In fact, I got the gift of some greenery this Christmas, and am delighted to be able to put it toward new books in the coming year.

  6. Posted December 27, 2009 at 9:14 am | Permalink

    Well, it was the Radio 3 Breakfast show with Rob Cowan, no particular day i’m afraid, but over the last couple of weeks the subject of ebooks came up because it was in one of the national dailies (could have been the Telegraph but don’t ask me – i’m not 100% awake this programme!) and the discussion went over a few days with listeners texting and emailing in.

    Almost entirely they disliked digital reading and put that down to being relatively old. I wanted (but didn’t bother) to chime in, agreeing that i couldn’t do without the physical experience of a book – dusty Crime Club hardbacks are my sensual favourite ;0) – but with painful hands n fingers, the ease of page-turning and not having to hold the book open makes me devoted to my ereader.

    When it comes to writing, i certainly can’t write poems onto a screen. The keyboard just blocks it. I even need a pen in my hand for ordering my thoughts when planning my week.

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