I am pleased to have four poems, including the eponymous poem from my forthcoming collection The Knowledge in The Space it Might Take, the 26th biennial anthology of the Highgate Poets. It is a pleasure to see these poems beside some of the strongest work over the last two years from each member of this […]Read more »
My reviews of five poetry collections appear in the current issue of Poetry Salzburg Review. Each poet, and collection, could not be more different from the next. American poet Maureen Alsop’s Mantic is a bewitching book of divinations; Irish poet Gene Barry’s Unfinished Business is a humanistic raconteur’s parade; Midlands English poet Helen Calcutt layers […]Read more »
“All the new thinking is about loss. / In this it resembles all the old thinking.” -Robert Hass, “Meditation at Lagunitas“ Love and loss have been very present with me lately. Such thoughts were recently punctuated by the heavy thud of a parcel dropping through our mail slot — my contributor’s copy of The Book of Love […]Read more »
Turnabout is fair play. Having analysed several thousand poems from Poetry magazine, I have decided to turn the same methodology on myself. I analysed 5,751 words from the 79 poems from my current pamphlet The Silence Teacher and my forthcoming collection The Knowledge. Here are my top twenty-five most commonly-used words: air (27) light (26) […]Read more »
“The Difference Between Medicine and Poison is in the Dose” -Circa Survive (song title) In response to my recent analysis of the frequency of words used in past issues of Poetry magazine, current editor Don Share issued me a good-humoured challenge: @PeakePoetics Um, not anymore, I'll wager. Try it with issues published since I became […]Read more »
Having counted the occurrence of words in nearly 3,000 poems published in Poetry Magazine to create a parameterised random word generator, I am making some other interesting discoveries about these words. First, as one Twitter user pointed out, the words that come up at each “frequency of occurrence” setting on the generator have their own […]Read more »
Sometimes I need a little help turning over the creative engine when starting a new poem. I have developed a tool that helps me to do just that, and am sharing it with the community in case it helps other poets to ignite their muse as well. Poetic constraints — such as patterns of alliteration, metre, and […]Read more »
"These highly-crafted, long-considered poems have so much emotional resonance..."
"In consistently even, deeply muted tones, The Silence Teacher is a self-contained world ... an uneasy, affecting and unforgettable collection."
"After reading The Silence Teacher, I have a more emotional stake in living, and in loving. A haunting collection."